| Asata Matsumura | Akio Hato | Asae Soya | Izumi Mochida |
| Aya Kawaguchi | Ryuta Nakajima | Kei Takemura |


- Aya Kawaguchi -
(Fukuoka Japan)


Born in FUKUOKA, Japan, 1975
Lives and works in Fukuoka


Education
  • 1994-1998
    Tokyo Zokei University

  • 1998-2000
    Tokyo National University of
    Fine Arts and Music
    ( Faculty of Graduate School of
    Fine Arts/ Master Course)


Group Exhibitions
  • 1998
    The Vein of water park
    Aya Kawaguchi / Miho Yamanari
    Tokyo National University of
    Fine Arts and Music, Tokyo

  • 1998.12.9-13
    Sousaku-show
    Tokyo National University of
    Fine Arts and Music, Ibaraki

  • 1999
    ART-ING TOKYO 1999:
    21*21[INDEX]
    SAP Gallery, Tokyo

  • 1999.10.22-28
    Manzu Museum ,
    Tokyo Zokei University, Tokyo

  • 2000.1.29
    MFA show in Toride
    Tokyo National University of
    Fine Arts and Music, Ibaraki

  • 2000-2001
    Muka Studio:The 366/200 Project
    Auckland Museum,
    National Museum of
    Fine Arts Buenos Aires

  • 2001.5.10-23
    Ritornello
    the painters of new generation
    Bumpodo Gallery, Tokyo

  • 2001.6.22-26
    The Booth Exhibition
    3 go-so-ko, Fukuoka

  • 2001.8.25-9.5
    (Window Exhibition)
    Galerie Tokyo Humanite, Tokyo

  • 2002.1.28-2.2
    2002 HERE
    Gallery Mo-ri, Tokyo

  • 2002
    Art Scholarship 2001
    Michiko Kasahara Award
    Exhibtit LIVE, Tokyo

  • 2002
    Bookmark Show
    Ai Gallery, Tokyo

  • 2002
    BOOTH EXHIBITION
    3 go-so-ko, Fukuoka

  • 2002
    Normal
    SPICA MUSEUM, Tokyo
    Studio J, Osaka
    Izutsuya, Hiroshima
    3 go-so-ko, Fukuoka


Solo Exhibitions
  • 1999.3
    Gallery Expects
    Futaba Gallery, Tokyo

  • 1999.8
    Art Exchange Society
    Third Gallery Juried Exhibition
    Key Gallery, Tokyo

  • 1999.11
    Saison Art Program
    ART-ING TOKYO1999:21*21
    Toki Art Space, Tokyo

  • 2001.10
    SOLO EXHIBITIONS 2001
    AYA KAWAGUCHI SHOW
    3 go-so-ko,
    Exhibition Space, Fukuoka

  • 2002.2
    Art Scholarship 2001
    Junichi Shioda Award
    Exhibit LIVE, Tokyo

  • 2002.4
    Solo Exhibitions 2002 Part.1
    "Meet the mountain"
    3 go-so-ko, Fukuoka


Selected Articles and books
  • ART-ING Tokyo 1999: 21*21
    exhibition catalogue
    published by SAISON ART PROGRAM
    SEZON MUSEUM OF MODERN ART,
    Tokyo Office

  • SAP Journal: vol.2, Tokyo, 2000
    published by SAISON ART PROGRAM
    SEZON MUSEUM OF MODERN ART,
    Tokyo Office

  • BT:Monthly Art Magazine Bijyutsu
    Techo vol.52, 2000
    published by Bijyutsu shuppan sha

  • 2000 Tokyo National University of
    Fine Arts and Music
    The Catalogue of the Graduation
    Works Exhibitions published
    by Morinokai (The Alumni Association)

  • SOLO EXHIBITIONS 2001
    supported by A.D.S.P/
    Created and Edited by Corporation Culture Department Shiseido Co., Ltd. 2002

  • Art Scholarship 2001
    exhibition catalogue
    published by Art Support
    Foundation Commitee, 2002

  • ACRYLART
    /The Scholar 20 Perspective
    published by Hollbein Works, LTD. 2002


Awards
  • 1998.
    Art Exchange Society
    Third Gallery Juried by Key Gallery

  • 2000.
    HOLBEIN SCHOLARSHIP

  • 2001.
    Art Scholarship 2001
    Contemporary Art Work on City Vision
    Nets by Curator's Selection
    excellent award by junichi Shiota
    selected by Michiko Kasahara

 




"Updating Scene"
I am interested in the relationship between the actual objective experience of looking at a scene and the subjective interpretation of the same scene. The simple definition of the word "scene" also includes both physical scenes as well as a psychological integration with “harmonious nature." This dualism became an important departing point for me to investigate and deconstruct my experience with specific scenes. Upon encountering a scene which I may find beautiful or pleasing, I ask myself what it is that I was looking at in this specific landscape and find fragments of self with in that landscape. This might include something that I heard, something that I saw, memories, experiences, etc… Through this recognition of fragmented self within a landscape, I start to build my art works. With my recent project, I have been using my photographs as an initial point of departure, to which I may add or subtract information. Through this repeated process of addition and subtraction, I try to transform an original photograph into a more personal and meaningful state. In short, artwork for me has been my process of investigation to find my subjective experience with a landscape as well as my life as a whole.

Aya Kawaguchi


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